ALEXANDER, Christopher; NEIS, HansJoachim; ALEXANDER, Maggie Moore. The battle for the life and beauty of the earth: A struggle between two world-systems. New York: Oxford University press, 2012.

ALEXANDER,Christopher. Notes on the Synthesis of Form. 17. printing. Cambridge: Harvard Univ. Press, 2002.

ABELSON, Harold; SUSSMAN, Gerald Jay; SUSSMAN, Julie. Structure and Interpretation of Computer Programs. Cambridge: MIT Press ,1996.

BEYER, Hugh, and Karen Holtzblatt. Contextual Design: Defining Customer-Centered Systems. Morgan Kaufmann, 1998.

BIANCHINI, Samuel, et al., editors. Practicable: From Participation to Interaction in Contemporary Art. Cambridge: MIT Press , 2016.

BODEI, Remo. Le forme del bello, trans. Juan Díaz de Atauri. [2nd ed., Spanish] Madrid: Machado Libros, 2008.

BONSIEPE, Gui. Diseño y crisis. Valencia: Campgrafic, 2012.

BRYNJOLFSSON, Erik. Race against the machine. Massachusets: Digital frontier press, 2012.

CARERI, Francesco, et al. Walkscapes: el andar como práctica estética. GG, 2013.

DEMETRIOS, Eames; HARTMAN, Carla. Essential Eames: words and pictures. Weil am Rhein: Vitra design museum, 2017.

DUNNE, Anthony; RABY Fiona. Speculative everything: design, fiction and social dreaming. Cambridge: MIT Press, 2013.

FEYERABEDN, Paul. Against Method. London: Verso, 2010.

FREDERICK, Mathiew. One hundred one things I learned in Architecture School. Cambridge: MIT Press, 2007.

FUKUSAWA, Naoto; MORRISON, Jasper. Super normal: sensations of the ordinary. Triennale di Milano: Lars Müller Publishers, 2019.

FUKUOKA, Masanobu. The one: Straw revolution, trans. Larry Korn, Chris Pearce, Tsune Kurosawa. New York: NYRB Classics, 2009.

GUTTMANN, Eva; KAISER, Gabrielle; MAZANEK, Claudia. Shifting patterns: Christopher Alexander and the Eishin Campus. [1st ed., English.] Zurich: Parkbooks, 2017.

HAN, Byung-Chul. Müdigkeitsgesellschaft \ The burnout society, trans. Erik Butler. Standford: Stanford University Press, 2015.

HARA, Kenya. 100 whites, trans. Josh Trichilo. Zurich: Lars Müller publishers, 2019.

ILLICH, Ivan. Tools for conviviality \ La convivencialidad, trans. Matea P. De Gossman. Barcelona: Virus editorial, 2011.

ISHIGAMI, Junya. Another scale of architecture, new edition. Tokyo: Lixil, 2019.

JULLIEN, François, and Albert Galvany. La gran imagen no tiene forma: del No-Objeto por la pintura. Alpha Decay, 2008.

KNAPP, Susan, et al. Weingart: The man and the machine. Basel: Karo graphic design and publishing, 2014.

KRUEGGER, Myron W. Artificial reality II [2nd ed.] Massachusets: Addison-Wesley, 1991.

KRISHNA, Golden. The Best Interface Is No Interface: The Simple Path to Brilliant Technology. New Riders, 2015.

KUMA, Kengo; Associates. スタディーズ・イン・オーガニック \ Studies in organic, trans. English. [5th ed.] Tokyo: Toto, 2018.

LÉGER, Jean-Michel. Usage. Éd. de la Villette, 2012.

LEVY, Jean, and Albert Galvany. Elogio de la anarquía. Pepitas de calabaza, 2015.

KUMA, Kengo; Associates. スタディーズ・イン・オーガニック \ Studies in organic, trans. English. [5th ed.] Tokyo: Toto, 2018.

MENDOZA COLLAZOS, Juan Carlos. Semiótica del diseño con enfoque agentivo: condiciones de significancia en artefactos de uso. 2015.

MESA, Felipe, et al. Permeabilidad = Permeability. Medellin: Plan:B, 2013.

MESA GONZALEZ, Carlos Enrique. Carcazas y motores: la doble imagen en la configuración de la espacialidad maquínica. Medellin: Mesa Editores, 2011.

MINDELL, David A. Between Human and Machine: Feedback, Control, and Computing before Cybernetics. Johns Hopkins paperbacks ed, Johns Hopkins Univ. Press, 2004.

KUMA, Kengo; Associates. スタディーズ・イン・オーガニック \ Studies in organic, trans. English. [5th ed.] Tokyo: Toto, 2018.

MIGUEL ÁLVAREZ, Ana de. Ética Para Celia: Contra La Doble Verdad. 1. ed, B, 2021.

MOHOLO-NAGY, Lázsló. Von material zu architekture \ La nueva visión, trans. Brenda L. Kenny. [5th ed.] Buenos Aires: Infinito, 2018.

NOORDZIJ, Gerrit. De Streek: Theorie van het schrift \ El trazo: Teoría de la escritura, trans. Carlos García Aranda. Valencia: Campgrafic, 2019.

PATER, Ruben. The Politics of Design: A (Not so) Global Manual for Visual Communication. Amsterdam: BIS Publishers, 2016.

PIKETTY, Thomas. Capital in the Twenty-First Century. Translated by Arthur Goldhammer. Cambridge: The Belknap Press of Harvard University Press, 2017.

PUJOL, Josep M. Principios de la tipografía fundamental: De William Morris a Stanley Morrison. Valencia: Campgrafic, 2017.

RAND, Paul, and Michael Bierut. Thoughts on Design. New Edition. San Francisco: Chronicle Books, 2014.

RUDER, Emil. Typographie, trans. D.Q Stephenson. [9th ed., Neuauflag. der Originalausg.] Sulgen: Niggli, 1967.

SCHÖPF, Christine, et al. Artificial intelligence. Berlin: Hatje Cantz Verlag, 2017.

SRNICEK, Nick. Platform Capitalism, trans. Aldo Giacometti: Buenos Aires, Caja negra editora, 2018.

STOCKER, Gerfried, et al. Radical Atoms and the Alchemists of Our Time. Berlin: Hatje Cantz, 2016.

TOSCANO, Joe. Automating humanity Brooklyn: powerHouse Books, 2018.

VOSSOUGHIAN, Nader. Otto Neurath: The language of the global polis. Rotterdam: NAi publishers, 2013.

VV. AA. Pictogramas de Señalización: Miradas Interdisciplinares. Bogotá: Editorial Jorge Tadeo Lozano, 2015.

W. MEHAFFY et al. A new pattern for growing regions: Places, networks, processes. Portland: Sustasis press, 2020.

WICK, Rainer. Bauhaus-pädagogik \ La pedagogía de la Bauhaus, trans. Belén Bas Álvarez. Madrid: Alianza editorial, 2007.

ZUMTHOR, Peter; LENDING, Mari. A feeling of history Zurich: Verlag Scheidegger & Spiess, 2018.